I knew she would zero in on me. I was alone at the table. She took out her hand in invitation and asked me if I wanted to try to dance the Tinikling involving bamboo poles beating, tapping and sliding as dancers jump rhythmically and in coordination.
What was I thinking? Going up stage at the Maynila Ballroom and trying to get around bamboo poles?
At first, I shook my head but I knew the battle was already lost. I finally got the nerve to stand up, walked to the stage, tightened my shoelaces and prayed for dear life. My lola would have reminded not to jump or dance right after a big meal, but obviously the situation insisted for it.
I was lucky enough to be invited to Kultura Fashionista last September 3 at the Manila Hotel. Kultura Fashionista lucheon show was conceptualized to be a “terpsichorean frolic through food and fashion.”
The buffet I sampled featured Filipino dishes and desserts usually one can find at the fiesta spread albeit the inclusion of pinakbet and absence of a roasted pig or lechon. Familiar flavors of lechong kawali, rellenong bangus and beef caldereta with steamed rice went well with desserts of fresh fruits and buko salad.
Two hours down with lunch that was served at 11 a.m., the show immediately opened with the Dance of the Malongs. The rhythmic movements of the women displayed the functional possibilities of the colorful malongs. I missed the men’s counterpart of the dance, instead, the men performed the Burong Talo – a martial arts dance from the Tausog that mimics a fight between a hawk and a cat.
This was followed by a similar dance also from the Tausogs. The Magigal/Hapatong involves male dancers men with bamboo poles and graceful women adorned with Janggays or metal fingernails reminiscent of vintas (boats) and birds.
The Visayan number featured the Lanceros de Negros; a popular quadrille dance during the Spanish era, Sutido; a dance mix of Spanish, Mexican and French influences with indigenous elements, and the
Pasodoble; a dance celebrating the flirtation between the sexes.
Heading the dances from the island of Luzon is the Chalichok, a Kalinga dance imitating birds flying and is performed on happy occasions like a first-born childbirth, a wedding or a peace pact. Then came the Karatong dance from the western provinces that heralds the blossoming of the Mango Trees performed to the lively, syncopated beats of the Karatong, a percussion instrument.
The dances were performed by the Sindao Dance Theater Company of Randy Guevara, a ward of National Artist for Dance Ramon Obusan.
In between performances, couture creations inspired from the three major regions of the country were featured in a fashion show. The Mindanao collection were colorful yet elegant. The pieces with the Visayan theme were more structured with defined silhouettes while the Luzon outfits were suited for garden parties and weddings. The ensemble were courtesy of Fashion Designers Association of the Philippines. Lito Perez, Edgar San Diego Richard Papa, Delby Bragais and Edgar Madamba contributed their individual works for the ensemble.
The Tinikling capped the show and some people from the audience, like me, were asked to dance. The jumping routine that could have trapped my foot was exhilarating and left me nostalgic. I was instantly transported back to grade school when class hours were spent practicing folk dances like the Itik-Itik, Pandango sa Ilaw, Kuratsa and many more. This was before history, music and physical education were rolled into a single subject.
I must admit I immensely enjoy learning all the moves and routines of our folk dances. The dances and music introduced to my psyche the different regional customs and valuable cultural insights that are integral to our unique Filipino identity. Over time, these were buried deep in my consciousness and the revisit could have not been more timely amidst all the negativity brought by the Quirino hostage-taking incident. Lifting me from my doldrums, I was once reminded of the many Filipino traits we should be proud of.
Kultura Fashionista was under the direction of Freddie Santos with choreography by Randy Guevara. The Maynila Ballroom is located at the Manila Hotel in Roxas Boulevard.